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On the other hand, if you yourself are just coming out of a bad relationship, you might want to give it a while before you decide to listen to this song, as it could bring all of those old feelings back in full force. If you think that you have the nerves to handle it, go ahead and give it a listen. For anyone that has ever fallen in love with someone, only to have the situation not work out in the end, this is a song that could potentially bring about plenty of tears all by itself. The song definitely does a good job of telling the story of a lost love, driving the point painfully home. The lyrics go on to ask what could have been done differently in order to have prevented the eventual outcome, telling the story of a person who is genuinely heartbroken and searching for a way to somehow go on, even in the face of something so tragic that it makes you feel like you simply can’t take another breath. It’s all about love that has been lost in the most heartbreaking way possible, telling the story of a couple who have fallen out of love with one another. It’s also one of the most heartbreaking songs that the band has ever done. This is Aerosmith’s version of that type of song. There is so much that can be said about this song and what makes it the best Aerosmith song ever released, but it is really unnecessary.
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Dream On The first album Aerosmith released in 1973 was the self-titled Aerosmith and contained the song Dream On. There they’d stay for the next four years, until a hotshot producer named Rick Rubin finally slapped them out of their stupor.Virtually every band has at least one ballad about love that has been lost. This song is undoubtedly one of the top ten songs by Aerosmith. In the end, the energy they expended on Rock In Hard Place was too much, and Aerosmith flopped down on the nearest bed the could find. Newbie guitarist Jimmy Crespo brought a fresh batch of magic dust just when they needed it – the opening double-header of Jailbait and Lightning Strikes wouldn’t have sounded out of place on Rocks (the same can’t be said for the washes of synth that pop up sporadically). Where 1979’s troubled Night In The Ruts was made by a band running on fumes and mostly sounded like it, Rock In A Hard Place glimmered with some of the lip-flapping fever that marked their ascent. But even without Joe Perry and fellow six-stringer Brad Whitford, they still managed to cook up one last hit of maximum rock’n’roll before they nodded out. Nor has the soap opera surrounding them abated – the last two decades have been punctuated by bust-ups and bitchiness, relapses and rehab that would have put lesser bands out of business.Īerosmith stumbled into the 1980s strung-out, cross-eyed and minus two founding members. Their second act has been even more successful than the first – 1998’s Armageddon-soundtracking mega-ballad I Don’t To Miss A Thing became their biggest ever hit and the soundtrack to ten million prom nights. A world-beating collaboration with hip hop group Run DMC on a cover of their own 1975 hit Walk This Way put Aerosmith back in the game, while the subsequent string of multi-platinum albums repositioned them as rock’n’roll’s wayward uncles, the glint of their gold earrings matched by the one in their eyes. But halfway through the decade came an unexpected resurrection.
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By the start of the 80s, this speeding train had crashed off the tracks, leaving a pile of twisted metal and mangled bodies. Toxic Twins Steven Tyler and Joe Perry were 70s rock incarnate: cool, charismatic, permanently strung out. The frequently brilliant albums they made in the 1970s were feral and brash, fuelled by a cocktail of bulletproof self-confidence and weapons-grade chemicals. Aerosmith’s genius idea was to repackage the Rolling Stones’ pharmaceutical rock’n’roll and sell it back to America as home-made product.